#Canon mark 5d ii video tutorials skin#
#Canon mark 5d ii video tutorials software#
#Canon mark 5d ii video tutorials iso#
#Canon mark 5d ii video tutorials series#

However, quite some time has passed since its original release, which sparked quite a bit of controversy as well.

#Canon mark 5d ii video tutorials series#

Undoubtedly, this is the best the 5D series has to offer. The updated sensor combined with the DIGIC 6+ image processor on board results in a camera whose performance is better across all measurements. It has a 30.4-megapixel CMOS sensor, providing a dramatic increase in resolution over the 22.3-megapixels found in the predecessor.

#Canon mark 5d ii video tutorials software#

ItвЂ™s improvements come primarily in software and performance, rather than physical form. At first glance, it looks identical to the previous 5D iterations.

#Canon mark 5d ii video tutorials skin#

I added a bit of skin diffusion (duplicate layer, large gaussian blur, Overlay blend mode, low opacity) and monochromatic contrast in Photoshop at the end.ДЄnd thats about all there is to it! The rest is up to you.Nonetheless, previous Canon users will feel right at home with this camera, especially those who have used mid-tier or higher Canon SLRs. Finally, I added effects, such as Vignette, Split-toning and Film Grain to give the shots a вЂfilm-likeвЂ™ appearance.

I did some skin spotting with the heal tool in Camera RAW. Those steps will give you this high-key, neutral, soft look. Then I turned down Saturation by a large amount, and increased the Vibrance by about the same. First, I pushed the shots about 2 stops to overexpose them, but kept highlights in check. I spared nothing in Camera Raw on these ones.

Post processing is what makes a good picture a very good picture. Sofie was swaying a bit back and forth, so critical focus ended up on her eyebrow, while her eyes falls a bit out of focus, showing just how little DOF there is to work with).Д¦) Once shot, select your best frames and process expertly. (The first picture in this article actually breaks this rule, but I feel it gets away with it. You should only break the sharp-eyes rule for artistic expression. As long as one eye is in sharp focus, youвЂ™re OK. With portrait lenses and shallow Depth Of Field, often you wonвЂ™t be able to hold both eyes in focus, particularly if the subjectвЂ™s face is at an angle, and close to the camera. Eyes will draw the attention first, so make sure you focus on an eye. On a shot like this with the 85mm 1.8, f/2.2 was a good compromise.ДҐ) Get at least one eye in focus. You want to get good seperation from face to background for that 3D effect, but you also want to nail sharpness on eyes. Your mileage may vary, though, so if you prefer, aim for the overexposed look directly, by dialing in ~ +2 stops of exposure compensation.Д¤) Use a large aperture. IвЂ™m applying the actual high-key effect later in Camera RAW, to avoid clipping the highlights in-camera.

#Canon mark 5d ii video tutorials iso#

While you want to overexpose a tad (вЂexpose to the rightвЂ™), use as low an ISO speed you can get away with for ultimate image quality. Also, you want the background to be very bright вЂ“ these were shot in front of a south-facing window.ДЈ) Use low ISO. Generally, you want very soft light for this effect, so use plenty large umbrellas/softboxes/diffusers, or north light, or an overcast day, or even shade. I shot these photos with natural light in-doors by a west-facing window in the middle of an overcast day in early April. I used the full-frame Canon 5D Mark II and a Canon 85mm 1.8 at F/2.2.Дў) Use soft, diffuse light.

This technique should be in every serious photographers bag of tricks, if it aint already, so here is the lay-down:ДЎ) Use a good camera/ lens combination for portraiture. Greetings photo buffs! I have had a little hiatus from my blog, but now IвЂ™m back with a little tutorial, namely вЂHow to do a high-key portraitвЂ™.